Rubber bloggy, you're so fun
you make blog time so much fun
rubber bloggy, I'm awfully fond of you
Showing posts with label live. Show all posts
Showing posts with label live. Show all posts
Tuesday, July 12, 2016
Monday, June 27, 2016
Tuesday, January 12, 2016
Wednesday, September 17, 2014
Monday, July 14, 2014
Tuesday, July 8, 2014
Faith No More - Be Aggressive (live)
Roddy Bottum wrote these lyrics about sucking cock just to see if Mike Patton would sing them (Bottum is gay, Patton is not).
Saturday, April 5, 2014
Monday, March 17, 2014
Friday, January 10, 2014
Friday, December 27, 2013
Monday, October 28, 2013
RIP Lou Reed
"One chord is fine. Two is pushing it. Three chords and you're into jazz."
Besides George Harrison, Lou Reed has influenced my music collection more than any other musician who has died in my living memory.
Related:
My 200 Favourite Albums of All Time
Friday, September 27, 2013
Tuesday, June 18, 2013
Sunday, May 20, 2012
Saturday, May 5, 2012
Sunday, April 1, 2012
Tuesday, November 15, 2011
Bob Dylan - The Witmark Demos: 1962-1964

This entry in the Bootleg Series is number 9; I don't know why it took Columbia 19 years and that many volumes to release 47 tracks from Dylan's gestational period as an artist while they saw fit to release a rarities collection spanning 1998-2006 two years ago. Apparently only 15 of the 47 tracks haven't shown up in other versions either on official releases or earlier bootlegs, but as I haven't heard any of the other entries in the bootleg series (barring the relatively recent live albums), this isn't an issue for me.
It seems Dylan started churning out original material at a rapid rate following his covers heavy debut in early 1962; although some of the non-LP tracks borrow melodies from traditional sources, only "Baby Let Me Follow You Down" is a cover. Not only is more than half of 1963's The Freewheelin' Bob Dylan here in demo form, but also four from 1964's The Times They Are a-Changin' (including the title track) and even a piano version of "Mr. Tambourine Man", which eventually showed up on the acoustic half of 1965's Bringing It All Back Home. These demos are lyrically and compositionally identical to their well known counterparts; the main differences, besides fidelity, are in the nuances of Dylan's performances. Befitting a protest song, Dylan's staccato strumming on "Blowin' in the Wind" is more pronounced on the Freewheelin' version than the version presented here.
The non-LP tracks find Dylan at various stages of his transition from folk juke box to protest singer with an original voice and showcase an array of influences, such as Mississippi John Hurt in the fingerpicking on "Seven Curses" and Big Bill Broonzy or any number of post Robert Johnson, pre T-Bone Walker delta blues artists on "Ballad for a Friend". "Talkin' Bear Mountain Picnic Massacre Blues" and "Talkin' John Birch Paranoid Blues" are early versions of what would become "I Shall Be Free #10". "I Shall Be Free" (included here) is an early version of "Bob Dylan's Blues", which doesn't share I Shall Be Free #10/Bear Mountain/John Birch's chord progression, but features similar off-the-cuff lyrics. This explains the title and number of the Another Side track, and the #10 doesn't seem quite as hyperbolic anymore - perhaps Dylan really did write five other variations. "John Birch" is as good a satire as Dylan ever wrote. It sees him joining the then new John Birch society and conducting an increasingly narrowing search for communists within his own house.
The Whitmark Demos comes with a long booklet of photographs preceded by an essay, and if you're lucky, as I was, you'll also get a short live disc, which unfortunately contains nothing exclusive. Even without these bells and whistles, it's valuable both as a historical document and a listening experience.
Saturday, November 12, 2011
Subscribe to:
Posts (Atom)
Top 50 Albums of 2020
50. Sarah Jarosz - World on the Ground 49. Glenn Richards - FIBATTY! 48. Soccer Mommy - Color Theory 47. Porridge Radio - Every Bad 46. Mat...

-
Things haven't changed in the two minutes since I posted that Autolux review; I'm still pissed off about the state of modern rock mu...
-
Custard didn't announce Come Back, All is Forgiven until it was recorded and a few months away from release, which was smart; enough ...
-
Torres is the most absurdly assured debut I've heard so far this decade. A full band's worth of musicians played on the album,...