Showing posts with label Parquet Courts. Show all posts
Showing posts with label Parquet Courts. Show all posts

Monday, December 31, 2018

Top 30 Albums of 2018


30. Noname - Room 25


29. Iron & Wine - Weed Garden EP



28. The Breeders - All Nerve


27. Kids See Ghosts - Kids See Ghosts


26. Constant Mongrel - Living in Excellence


25. Slothrust - The Pact


24. Kendrick Lamar & Various Artists - Black Panther The Album: Music From and Inspired By


23. Wye Oak - The Louder I Call, The Faster It Runs


22. Aphex Twin - Collapse EP


21. Guided By Voices - Space Gun


20. Janelle Monae - Dirty Computer


19. The Body - I Have Fought Against It, But I Can't Any Longer


18. Stephen Malkmus & The Jicks - Sparkle Hard


17. Pusha T - Daytona


16. The Messthetics - The Messthetics


15. Christine and the Queens - Chris


14. Deafheaven - Ordinary Corrupt Human Love


13. Sheck Wes - Mudboy


12. Thom Yorke - Suspiria (Music for the Luca Guadagnino Film)


11. Fucked Up - Dose Your Dreams


10. Julia Holter - Aviary


9. Parquet Courts - Wide Awake!


8. Los Kowalski - Dejarte Ir


7. MGMT - Little Dark Age


6. Tropical Fuck Storm - A Laughing Death in Meatspace


5. Beak - >>>


4. Richard Thompson - 13 Rivers


3. Iceage - Beyondless


2. Petal - Magic Gone


1. Screaming Females - All At Once

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Tuesday, May 22, 2018

Parquet Courts - Wide Awake!


A Parquet Courts album produced by Danger Mouse is a no-brainer on paper - the pairing of a band not content to release the same album twice and a producer who's a popular choice for artists looking to switch up their sound. The good news is that Wide Awake! is a triumph in practice. The album revels in previously untapped influences that the band leans into to the point where if, say, "Violence" was the first Parquet Courts song you ever heard, you might well assume that these four white guys were always this indebted to black artists of the past. That one is a rumination on numbness to violence as an unfortunate but necessary response to its prevalence in present day America. Andrew Savage sounds like James Murphy after 12 cups of coffee, while musically it recalls Funkadelic, both in its specifics (especially the pitch-shifted monologue in the final stretch) and the way it makes an inherently bitter pill palatable. Unfortunately the Talking Heads pastiche title track is a bridge too far, which is odd considering how well they sell the almost Jackson 5 bounce of "Tenderness". The idea of weighty themes appealingly packaged is not new to Parquet Courts, but with their most eclectic set of tunes and broadest emotional palette, Wake Up! is the band's most engaging album.

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