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Tuesday, June 15, 2010
Hunters & Collectors - Horn of Plenty box: What's a Few Men?/Ghost Nation
What's a Few Men? (1987) is the point at which Hunters & Collectors had completely transitioned from Krautrock fanboys to pub circuit mainstays. The almost Midnight Oil-sounding single "Do You See What I See?" is strategically positioned as the second track, and it still is, and was then especially, one of the band's biggest hits. What's a Few Men was re-released in the US as Fate, a calculated but unsuccessful move to try to break into that elusive market. The tracklist is also different: four tracks are missing, with four added in their place, and the tracklist has been shuffled around. The album's proper title is taken from A.B. Facey's memoir A Fortunate Life, and the title track is one of those missing from Fate, which is a shame; it stands out of context as a decent World War I song and is a better ballad than "Around the Flame". Also missing are the decent "Still Hanging 'Round", the excellent, bluesy "Give Me a Reason" and the so-so "Breakneck Road". Fate's extra tracks, appended to all CD versions of What's a Few Men? vary; "Back on the Breadline" and "Something to Believe In" genuinely deserved an Australian release (and, having said that Fate failed to appeal to the US market, "Breadline" did receive a lot of airplay on US alternative radio stations), but "Wishing Well" and "Real World" don't stand out here and I don't imagine they would if I were to recreate Fate with some iPod programming.
Ghost Nation (1989) starts with a bit of a red herring. The verses of "When the River Runs Dry" are led by the rhythm section, like in the old days, while the choruses are of the catchy variety that fans were used to by then. It was their biggest hit at the time, deservedly so, and another song on high rotation on many alternative radio stations in America. As with some other Hunters 7 Collectors albums, Ghost Nation starts off well but then loses momentum, but at the moment I consider it a notch above What's a Few Men?.
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