Friday, July 15, 2016

50 Foot Wave - Bath White EP


Throwing Muses has existed as a three piece for some time now: Kristin Hersh and perennial drummer Dave Narciso along Bernard Georges on bass. 50 Foot Wave simply swaps Narciso for Rob Ahlers, but the differences are marked more by Kristin Hersh's shifted priorities. Too many artists get calmer as their career goes on, when they should get angrier. Hersh gets this, and 50 Foot Wave is Hersh's way of  indulging that without changing what Throwing Muses and her solo albums are about.

Though it once released a 25 minute standalone single, 50 Foot Wave is generally not a band concerned with making long and sprawling musical statements. As such, most of its releases are EPs. The title track's origins are in the ocean, which is an apt aural reference point for the EP in the way it subsumes the listener with sound and doesn't stay still. Bath White simultaneously complements 2011's With Love from the Men's Room EP and expands on it, and if you needed confirmation of Kristin Hersh's enduring importance, this is it.





Monday, June 20, 2016

Laura Cantrell - Laura Cantrell at the BBC

Laura Cantrell - Laura Cantrell at the BBC

Anyone familiar with Laura Cantrell knows that John Peel endorsed her in a big way. She's developed a proportionally bigger following in the UK than the US and even released her last album over there first. Properly released on both sides of the Atlantic simultaneously but available at her recent UK shows and as a Record Store Day exclusive, Laura Cantrell at the BBC does what it says on the tin, collecting 15 performances from 2000 to 2005, 10 of which are from Peel sessions.

Cantrell's typically sparse live setup suits intimate venues, and she is as much in her element in a radio studio as in a cafe, bar or recording studio. The four performances from 2005 sound the best, showing a surefooted Cantrell in the early days of her longtime collaboration with guitarist Mark Spencer. The mortality-focused, piano-based "Bees" is all stringed instruments here, and loses none of its power. "Old Downtown" undergoes a more pronounced transformation from a rocker worthy of Lucinda Williams to just Cantrell and her acoustic guitar, and somehow also works.

Laura Cantrell at the BBC is not a live or studio compilation in the traditional sense of either word, It's not an ephemeral novelty either, though it is a unique entry in the Cantrell catalogue, combining the quiet and fidelity of the studio with the directness of live performance.

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Saturday, June 18, 2016

Top 50 Albums of 2020

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