Rubber bloggy, you're so fun
you make blog time so much fun
rubber bloggy, I'm awfully fond of you
Monday, June 27, 2016
Monday, June 20, 2016
Laura Cantrell - Laura Cantrell at the BBC
Cantrell's typically sparse live setup suits intimate venues, and she is as much in her element in a radio studio as in a cafe, bar or recording studio. The four performances from 2005 sound the best, showing a surefooted Cantrell in the early days of her longtime collaboration with guitarist Mark Spencer. The mortality-focused, piano-based "Bees" is all stringed instruments here, and loses none of its power. "Old Downtown" undergoes a more pronounced transformation from a rocker worthy of Lucinda Williams to just Cantrell and her acoustic guitar, and somehow also works.
Laura Cantrell at the BBC is not a live or studio compilation in the traditional sense of either word, It's not an ephemeral novelty either, though it is a unique entry in the Cantrell catalogue, combining the quiet and fidelity of the studio with the directness of live performance.
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Saturday, June 18, 2016
Monday, June 13, 2016
Saturday, June 4, 2016
Friday, June 3, 2016
Dana Falconberry & Medicine Bow - From the Forest Came the Fire
Dana Falconberry & Medicine Bow are embarking on a tour of national parks in the US, which is apt, as her songs are steeped in nature and it's impossible to imagine any song on From the Forest Came the Fire performed in a grey brick building.
From the Forest Came the Fire isn't quite the quantum leap that Leelanau was from Halletts, but it marks another distinct point in Falconberry and her band's evolution. While on Leelanau, Falconberry's cohorts (multi-instrumentalists Gina Dvorak, Karla Manzur and Christopher Cox, cellist Lindsey Verrill and drummer Matthew Shepherd) played Falconberry's pre-existing arrangements, Forest is a full band effort from the ground up, hence the acknowledgement of a collective this time. In lesser hands, their particular strain of folk music could have failed to connect. Substance could have given way to directionless jamming or perfunctory ambiance. Fortunately, Falconberry imbues everything she does with emotional gravitas, and she and her band have a preternatural sense of songcraft.
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Monday, May 9, 2016
Iggy Pop - Post Pop Depression
Iggy Pop doesn't sound depressed on Post Pop Depression, though he has every right to be. Most of the principal members of The Stooges have died, as well as Lou Reed and now David Bowie. As hard as it might be to imagine, Iggy won't be making music forever, and he's now said that he doesn't intend to try.
The opening track "I'm Gonna Break Into Your Heart" starts with Pop doubling Josh Homme's modal Eastern riff. It doesn't sound as though one is following the other, and it's a perfect microcosm of the album as a whole. Even the one misstep, the spaghetti western "Vulture", is made together. Homme's reputation as a meticulous tone chaser with a penchant for drop tunings can obscure his talent as a fluid and dynamic player, and in large part it's his adaptability that makes Post Pop Depression work. It seems as though he can complement just about anyone, while Pop can stamp his personality on just about anything. It makes for a great parting statement if he does intend to retire and a great avenue of inspiration if he doesn't.
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